Well, at last the new James Bond film has hit cinemas on both sides of the Atlantic. There may be countries where it is not yet on release, but it’s been out long enough I think for a commentary that contains spoilers to be published. If you don’t want to see this before seeing the film, then don’t linger here. Repeat: CONTAINS SPOILERS!
I recall back in 2006 when Casino Royale came out, and here was my review back then, all 15 (gulp) years ago. I watched the film along with a few other conspirators, such as Perry de Havilland, if I recall. I generally liked it – I think Daniel Craig did a great job, and elements of the original novel were kept in, while added to for a modern audience. The subsequent films never quite lived up to the first one, in my view, although I read a lot about how great Skyfall was, but I disagree (I think the whole sentiment of the film was gloomier than the glummest John Le Carre story, but without the caustic LC wit.) But even so, Daniel Craig has, so I read, delivered Bond to a “new generation”. And the franchise of Eon-produced Bond films is almost 60 years old. Even if you don’t equate longevity with greatness, that’s pretty damned impressive.
I have seen a lot of commentary from those who claim No Time to Die is somehow a great film, but a few are very upset, even angry. I have very mixed views on it, but the more I think about it, the more I think this is a bad film, made my people who have fallen prey to shitty ideas, and who make the crucial error of conflating moral seriousness with being miserable. In fact, this error is not remarked about enough. You can be a baddass super-hero, and take what you do very seriously, while having a smile on your face and enjoy life at the same time. Think Zorro, think the Scarlet Pimpernel, etc. Everything now has to be full of angst, of “self-loathing” and be “gritty” (one of the most tediously over-used epithets in culture today).
Let’s start with one of the biggest initial reasons people got wary about this film. The Nomi character, the “new 007”, as played by Lashana Lynch, is every bit as passive-aggressive at first as the trailers suggested, but in fact the “wokeness” of the film, and of her part in it, isn’t nearly as bad as I feared. She comes across as one-dimensional; there is no real development of her character. You cannot warm to her and want to take her side. In a way, this is what happens when film-makers try to make films more supposedly progressive but in fact let themselves down. A pity.
The action scenes in general are very well done. Say whatever one likes about these films, but the production quality remains outstandingly good. Some of the fight scenes are great. The locations are generally good and we get a bit more time in this film to sample the atmosphere (Jamaica, Cuba, etc) than in earlier Craig efforts. The early Connery films were so good is that you felt you were really travelling with him to places such as the Caribbean or Turkey, or in the case of the George Lazenby film (which is arguably one of the best ever), Switzerland.
There is a little bit more humour here, even though Craig remains the Grumpy Bond. The rapport he has with Jeffrey Wright, playing Felix Leiter, is nice. Supporting cast members such as Ralph Fiennes as M are good as well. The chap playing Q has quite a lot to do; he has a nice, sharp sense of humour as well.
But the central features of this film in terms of plot and how the film ends, mean that NTTD represents something very bad, and I fear that Barbara Broccoli and the others may have taken the series off a cliff, and I am queasy about what comes next. I have tagged this post under “culture wars”, because I cannot help but see NTTD as yet another instance of what might be called the Cancel Culture. Bond, as baddass Alpha male, suave and in control, dispenser of smart-alec quips as he crushes the evil guys, is dead.
Anyway, here is an example of how cheesed off people are. I saw this on Facebook. The article is written by a chap called “Charles”. I have taken out a few paragraphs, but here goes:
Bond films got popular being FUN movies celebrating triumph — not being deep serious heavy tragedies evoking misery. For decades, JB film fans went for thrilling entertainment which leaves them feeling good — not for painful adult psychological realism which leaves them feeling bad. [Yes, I know about OHMSS: one movie, 52 years ago.] After decades of this continuity, the fans naturally expect a Bond film to be exciting optimistic escapism.
It seems to me that the whole team responsible for the NTTD story doesn’t understand the core reasons why Bond films have been so popular for 59 years (or perhaps they presume to push the fans to change their preferences).
Wanting Bond movies to be just enjoyable entertainment — showing the thrill of surviving danger, loving the joy of living in the moment, celebrating courageous victory over evil — is a perfectly respectable adult mentality. Not every adult movie has to induce the emotions of tragic misery. Let other movies (not Bond) do that.
Disliking the infliction of prolonged misery into a Bond movie doesn’t mean the unhappy fan is immature, or wants to see Bond be some offensive example of pathologies (contrary to sneering assumptions by some fans). If some fans object to seeing JB movies delivering a doom & gloom fest, that doesn’t mean they want JB movies to be an Austin Powers clown cartoon. Between these two extremes, there is a good middle zone of exciting adult stories which celebrate brave triumph.
Barbara Broccoli and M.G. Wilson are stewards of a global legacy of good will and inspiring imagination, enduring 59 years. As stewards of the Bond film legacy, they seem to be either indifferent or incompetent. It seems they let Daniel Craig make his last JB movie become whatever he wanted it to be, for his own personal gratification as an actor, disregarding how it violates reasonable expectations of the fans. DC’s agenda to make JB realistic, complex, deep, etc. was incompatible with the history of Bond movie popularity. [He says he’s “too serious” and “moody”.] They let him impose his sensibility (and serious artistic ambitions) onto NTTD so much that the story violates the abiding concept of the franchise.
In a recurring adventure series, killing off the hero shows that the storytellers have run out of good ideas or that they have lost their confidence that they can write an effective story in which the hero is victorious. Killing Bond in NTTD reminds me of the first Mission Impossible movie, in which the leader of the good guys (Jim Phelps) is a traitor who kills most of the team. That kind of plotting choice is a cheap stunt — hoping to stun the betrayed viewer into thinking that the plotting was impressively daring or inventive. Nope, it’s just a violation of the covenant between the storytelling team and the fans of those characters.
Bond’s death in NTTD was so contrived. The story could’ve been easily rewritten for him to survive and triumph again. For those who say ‘But he had to die, because of X’ — That ‘X’ part could’ve been easily rewritten otherwise.
Bond didn’t just die; he seemed to quit trying to survive; choosing a kind of passive suicide. That’s one reason why his death felt so demoralizing to some viewers.
Now I see that the warning for how this movie would go wrong was in the selection of the most recent two theme songs (for SPECTRE & NTTD). The previous song portrayed Bond as a fragile needy crybaby, and the new song conveys total emotional defeat and surrender — both songs utterly wrong for Bond films, which celebrate victory, joy, survival, pleasure, etc.